Gina Osterloh's photography, film, and performance based art work depicts mark-making and her own body traversing, tracing, and puncturing photographic space in a quest to interrogate the boundaries of a body and expand notions of identity. Osterloh’s printed photographs depict large scale photo tableaux environments as well as drawing on photo backdrop paper, that expand our understanding of portraiture and what photography can be. Symbolic themes and formal elements such as the void, orifice, and the grid, in addition to a heightened awareness of color and repetitive pattern appear throughout Osterloh’s oeuvre. Osterloh cites her experience of growing up mixed-race in Ohio as a set of formative experiences that led her to photography and larger questions of how a viewer perceives difference.
Solo exhibitions include Gina Osterloh at Higher Pictures; Slice, Strike, Make an X, Prick! at François Ghebaly Gallery; Nothing to See Here There Never Was at Silverlens Gallery; Group Dynamic at Los Angeles Contemporary Exhibitions (LACE), and Anonymous Front at Yerba Buena Center for the Arts. Group exhibitions include Multiply, Identify, Her at the International Center of Photography in New York City, Ours is a City of Writers at the Barnsdall Los Angeles Municipal Art Gallery; Energy Charge: Connecting to Ana Mendieta at ASU Museum, Demolition Women curated by Commonwealth & Council at Chapman University and Fragments of the Unknowable Whole Urban Arts Space OSU. Her work has been reviewed in The New Yorker, Art in America, The Brooklyn Rail, Contemporary Art Daily, Hyphen Magazine, Art Asia Pacific, Asian Art News, Art Papers, Artforum Critics Pick, Art Practical, and KCET Artbound Los Angeles. Awards include a Fulbright in the Philippines, a Woodstock Center of Photography residency, and a Create Cultivate Grant with the LA County Arts Commission and LACE. Gina Osterloh is an Assistant Professor in the Department of Art at The Ohio State University.
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