seeing, being seen is the most expansive survey to date of Poklong Anading’s practice, spanning nearly three decades of work across photography, video, and sculpture. Released on the occasion of Paris Photo 2026, the publication documents a pivotal figure in Southeast Asian contemporary art who rigorously investigates the politics of looking, subjecthood, and representation. The book is an evocative study of perception, participation, and ecology, framing photography as a fluid medium caught between presence, light, and the contingent nature of sight.

Gary-Ross Pastrana’s conceptual practice is featured on MoMA’s post, highlighting his experimental approach to light, surface, duration, and human breath. His solo exhibition, sign, signal, shadow, is currently on view at Silverlens Manila through November 13, 2026.

Silverlens congratulates artist Imelda Cajipe Endaya (b. 1949, Manila) on being conferred the Order of National Artists of the Philippines for Visual Arts. This prestigious distinction, the highest state honor for the arts, recognizes Endaya’s five decades of radical devotion to a visual language that is at once deeply personal, fiercely political, and undeniably Filipino. She is the first woman to be named National Artist for Visual Arts, marking a historic moment for feminist art and social realism in the Philippines and Southeast Asia.