As a notable expansion of his artistic practice, ‘come - one - come - all’ is Mit Jai-inn’s latest solo exhibition that aims to present the allure behind three different facets of his 40-years art practice, all of which possess a taste and twist of Modernism.

Shozo Michikawa’s second solo show with Silverlens Gallery continues to take inspiration from his birthplace, Hokkaido, with its geography of topographical contrasts from mountain greens to volcanic plateaus in a new collection of fifteen works.

The projects of this biennial, the correspondents of this newspaper, the guests at this get-together, will be individuals and groups making sense of our times – of this planetary dysfunction we created and must face together – learning and sharing very old and very new techniques, insights from near and far.

In this new body of work for Silverlens New York, Martha Atienza asks, ‘Who owns the land? Who owns the sea?’. These are questions that persistently come to her mind when working with her home community across the Bantayan group of islands, north of Cebu in the Visayas, the Philippines’ central island group.

Many languages meet for presentation: the digital pixel and the tikar weave, traditional and contemporary motifs, popular song, bodily gesture and sound, photographic image, and script. These position art-making and aesthetics as a means of bridging and understanding diverse experiences and stories.

This international art festival to be held in 2022 will offer a multi-dimensional interpretation of the words “STILL ALIVE,” revisiting the origins and sources of contemporary art while also focusing on the gaps between domains that have come to be classed according to fixed categories, all the while shuttling back and forth between the past, present, and future.