Catalina Africa

Bio

Multi-disciplinary artist Catalina Africa (b. 1988, Manila, Philippines; lives and works in Baler, Philippines) considers shapeshifting to be her primary mode of expression. Working across mediums including painting, sound, sculpture, video, text, and performance, her artworks are invocations to the natural landscape. Resembling spells, songs, love letters, prayers, and maps, her spatial visualization of an environment pays testimony to the Earth’s mysteries and magic. Raised in Manila, the artist now lives and works in Baler, Philippines, along with her husband and child, where she cultivates a devotional practice to Spirit, transmuting Earth song and collaborating with the living land. 


Africa’s solo exhibitions include Shrine in the Shape of Shadow, Silverlens, Manila, Philippines (2022); Spiralling in Starlight Vision, ArtInformal, Makati, Philippines (2022); Time Moving in All Directions (Featuring Conversational Adornment by Tanya Villanueva),  Finale Art File, Makati, Philippines (2018). Select group exhibitions include Shrines, Silverlens, New York (2023); Phantasmapolis x Manila: Select works from the 2021 Asian Art Biennial, Metropolitan Museum of Manila, Philippines (2022); Phantasmapolis, Asian Art Biennial, National Taiwan Museum of Fine Arts, Taichung, Taiwan (2021); Wild Legend, Juming Museum, Taiwan (2015); The Philippines Contemporary: Directions, Metropolitan Museum Museum of Manila, Philippines (2015).

Multi-disciplinary artist Catalina Africa (b. 1988, Manila, Philippines; lives and works in Baler, Philippines) considers shapeshifting to be her primary mode of expression. Working across mediums including painting, sound, sculpture, video, text, and performance, her artworks are invocations to the natural landscape. Resembling spells, songs, love letters, prayers, and maps, her spatial visualization of an environment pays testimony to the Earth’s mysteries and magic. Raised in Manila, the artist now lives and works in Baler, Philippines, along with her husband and child, where she cultivates a devotional practice to Spirit, transmuting Earth song and collaborating with the living land. 


Africa’s solo exhibitions include Shrine in the Shape of Shadow, Silverlens, Manila, Philippines (2022); Spiralling in Starlight Vision, ArtInformal, Makati, Philippines (2022); Time Moving in All Directions (Featuring Conversational Adornment by Tanya Villanueva),  Finale Art File, Makati, Philippines (2018). Select group exhibitions include Shrines, Silverlens, New York (2023); Phantasmapolis x Manila: Select works from the 2021 Asian Art Biennial, Metropolitan Museum of Manila, Philippines (2022); Phantasmapolis, Asian Art Biennial, National Taiwan Museum of Fine Arts, Taichung, Taiwan (2021); Wild Legend, Juming Museum, Taiwan (2015); The Philippines Contemporary: Directions, Metropolitan Museum Museum of Manila, Philippines (2015).

Mirrors, Merging
2026
17969
1
Acrylic, interference paint, oil pastel on canvas
-1
0.00
PHP
0
Created during her pregnancy, Mirrors, Merging reflects a period in which Catalina Africa experienced herself moving through what she describes as "really dense energies." For the artist, that density became synonymous with the earth, while pregnancy placed her within a womb-like space, "floating, existing outside of human time."

Although Africa positions herself at the center of the painting, she intentionally leaves the figure open enough to become universal. The work also depicts an inner landscape she returned to in moments that required fortitude, a dark but open field surrounded by "my angels, ancestors, guardians and guides." It was, she explains, "where I prayed."

During this period, Africa became increasingly aware of the relationship between artistic creation and childbirth. "Both require a surrender to the unknown, answering to Spirit, and becoming a channel for the universe to speak through." Through this parallel, the painting reflects her understanding of artistic practice as an act of bringing "forth form from the unseen realms."
Details
Flowform Study/Inner Waters
2026
17829
1
Acrylic, interference paint, oil pastel on canvas
68.31h x 48w in 173.5h x 122w cm
-1
0.00
PHP
0
Details
Divination Dialogue (Earth has wet dreams)
2022
12786
1
acrylic, oil, oil pastel on canvas
1
0.00
PHP
0
Details
A Sensual Experience of Myself in Sand, in Time
2019
12788
1
acrylic, spray paint, oil, fabric paint on canvas
72h x 60w in • 182.88h x 152.40w cm
-1
0.00
PHP
0
Details
earthbody/dream portal
2023
12790
1
acrylic, oil, oil pastel on canvas
88.38h x 48w in • 224.47h x 121.92w cm
0
0.00
PHP
0
Details
Mud Painting (collaboration with Mark Espinosa)
2019
12789
1
mixed media
48h x 60w x 3.75d in • 121.92h x 152.40w x 9.53d cm
-1
0.00
PHP
0
Details
The Quality of Sunlight is a Filter Through Which our Thoughts and Feelings Pass
2019
12791
1
acrylic, oil pastel, metallic leaf, gold leaf, spray paint, collage on canvas
60h x 96w in • 152.40h x 243.84w cm
0
0.00
PHP
0
Details
Exploring empathy in liminal space - An experiment for reconnecting to inner constellations.
2022
12787
1
single channel video (00:14:23), no sound
0
0.00
PHP
0
Edition of 3
Details
Connecting to the core
2022
12792
1
acrylic, oil, oil pastel on canvas
36h x 48w in • 91.44h x 121.92w cm
0
0.00
PHP
0
Details

Selected Exhibitions

Selected Videos

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
R2FpbiBhY2Nlc3MgdG8gZXhjbHVzaXZlIGdhbGxlcnkgaW5mb3JtYXRpb24sIGxhdGVzdCBleGhpYml0aW9ucywgPGJyIC8+CmFuZCBhcnRpc3QgdXBkYXRlcyBieSBzaWduaW5nIHVwIGZvciBvdXIgbmV3c2xldHRlciBiZWxvdy4=