Poklong Anading

Bio

Poklong Anading (b. 1975, Manila, Philippines; lives and works in Manila) works with a wide range of mediums and is acclaimed for his pieces that investigate photography and travel. Fascinated with the process of creation and permutation, Anading explores different mediums to engage with a range of sociopolitical and environmental questions. Having begun his career as a painter, he is not driven by an overt agenda, but prefers to let his mind wander, thinking with and through his materials as they undergo their transformations. He frequently uses found objects and discarded materials that lead him to investigate notions of worth and value, and to explore what it means for art to exist inside and beyond capitalist production.

Anading has completed residencies with Big Sky Mind, Manila, Philippines (2003 to 2004), Common Room, Bandung, Indonesia (2008), Bangkok University Gallery, Thailand (2013), Selasar Sunaryo Art Space, Bandung, Indonesia (2013), Philippine Art Residency Program - Alliance Francaise de Manille in Cite Internationale des Arts, Paris, Centre Intermondes, La Rochelle in France (2014) and das weisse haus, Vienna Austria (2018). He had solo exhibitions in Galerie Zimmermann Kratochwill, Graz, Austria (2010 and 2012), Taro Nasu in Japan and Athr Gallery in Jeddah (2016), 1335MABINI in Manila, Philippines (2013, 2015 and 2017). He has been included in notable group exhibitions such as: Gwangju Biennial, South Korea (2002 and 2012), No Country: Contemporary Art for South and Southeast Asia, the first exhibition of the Guggenheim UBS Map Global Art Initiative in New York, Hong Kong and Singapore (2013 to 2014), 5th Asian Art Biennial: Artist Making Movement, National Taiwan Museum of Fine Arts, Taiwan (2015), The Shadow Never Lies, Minsheng Art Museum, Shanghai, Afterwork, Para Site, Hong Kong, China and in the Architecture Biennale for the 15th International Architecture Exhibition, Philippine Pavilion: Muhon: Traces of an Adolescent City at Palazzo Mora, Venice, Italy (2016), Constellations, Photographs in Dialogue, SFMOMA, California, USA (2021) and Living Pictures: Photography in Southeast Asia at National Gallery Singapore (2022).

Poklong Anading (b. 1975, Manila, Philippines; lives and works in Manila) works with a wide range of mediums and is acclaimed for his pieces that investigate photography and travel. Fascinated with the process of creation and permutation, Anading explores different mediums to engage with a range of sociopolitical and environmental questions. Having begun his career as a painter, he is not driven by an overt agenda, but prefers to let his mind wander, thinking with and through his materials as they undergo their transformations. He frequently uses found objects and discarded materials that lead him to investigate notions of worth and value, and to explore what it means for art to exist inside and beyond capitalist production.

Anading has completed residencies with Big Sky Mind, Manila, Philippines (2003 to 2004), Common Room, Bandung, Indonesia (2008), Bangkok University Gallery, Thailand (2013), Selasar Sunaryo Art Space, Bandung, Indonesia (2013), Philippine Art Residency Program - Alliance Francaise de Manille in Cite Internationale des Arts, Paris, Centre Intermondes, La Rochelle in France (2014) and das weisse haus, Vienna Austria (2018). He had solo exhibitions in Galerie Zimmermann Kratochwill, Graz, Austria (2010 and 2012), Taro Nasu in Japan and Athr Gallery in Jeddah (2016), 1335MABINI in Manila, Philippines (2013, 2015 and 2017). He has been included in notable group exhibitions such as: Gwangju Biennial, South Korea (2002 and 2012), No Country: Contemporary Art for South and Southeast Asia, the first exhibition of the Guggenheim UBS Map Global Art Initiative in New York, Hong Kong and Singapore (2013 to 2014), 5th Asian Art Biennial: Artist Making Movement, National Taiwan Museum of Fine Arts, Taiwan (2015), The Shadow Never Lies, Minsheng Art Museum, Shanghai, Afterwork, Para Site, Hong Kong, China and in the Architecture Biennale for the 15th International Architecture Exhibition, Philippine Pavilion: Muhon: Traces of an Adolescent City at Palazzo Mora, Venice, Italy (2016), Constellations, Photographs in Dialogue, SFMOMA, California, USA (2021) and Living Pictures: Photography in Southeast Asia at National Gallery Singapore (2022).

recruit (no. 1)
2024
16636
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Three-channel video, G.I. wire wrapped with fishing net, and 3D print (Polylactic Acid)
31.5 x 31.5 x 31.5 in • 80 x 80 x80 cm
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falling and growing (no. 9)
2022
16630
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traces of urine, cement, and wooden baseboard
78.0h x 96.0w in • 198.12h x 243.84w cm
-1
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Doubting Thomas
2005-2017
16633
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serrated wooden frame and wooden finger model
59.0h x 59.0w in • 150.0h x 150.0w cm
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anonymity (set of 7)
2022
11053
1
seven-channel video, no sound, each shown on a 24" wall-mounted flat screen
-1
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Edition of 3 + 1AP
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dragon kite (no. 2)
2009
16629
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gold pencil & charcoal markings on wooden baseboard
96h x 96w in • 243.84h x 243.84w cm
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water table (no. 15)
2022
16631
1
etched mirror
65 cm in diameter
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SLABPAN021
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water table (no. 11)
2022
16632
1
etched mirror
65 cm in diameter
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SLABPAN022
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falling and growing (no.10)
2024
16634
1
traces of urine, cement, and wooden baseboard
48h x 32w in • 121.9h x 81.3w cm
-1
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flash back (no. 7)
2024
16637
1
Single channel 55” HDTV, mini CPU and sensor
approx. 25.2h x 47.3w x 3.94 in • 64h x 111w x 10d cm
-1
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Edition of 3 + 1 AP
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recruit (no. 2)
2025
16638
1
Recovered fishing net with attached seashells and marine mineral traces, wire, 3D print (Polylactic Acid), nylon string, twist tie, cable tie, glue, screws, nuts and polyurethane topcoat
86.63 x 32.25 in • 220 x 82 cm
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Dragon Kite (No.13)
2013-2019
16635
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gold pencil and charcoal markings on wooden board
39 x 63 x 4 in • 99.1 x 160 x 10.2 cm
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recruit (no. 5)
2025
16639
1
Recovered fishing net, spiral stainless-steel frame, stainless wire armatures, 3D-printed polylactic acid
155h x 114w x 95d in • 393.7h x 289.6w x 241.3d cm
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Selected Exhibitions

Selected Videos

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