Anticipating the Day

Bernardo Pacquing, Chati Coronel, Corinne de San Jose, Dina Gadia, Eric Zamuco, Frank Callaghan, Gary-Ross Pastrana, Gina Osterloh, Gregory Halili, Hanna Pettyjohn, Martha Atienza, Mit Jai Inn, Nicole Coson, Patricia Perez Eustaquio, Norberto Roldan, Pow Martinez, Renato Orara, Ryan Villamael, Wawi Navarroza, James Clar, Elaine Navas
Silverlens, Manila

About

    Out of necessity, we are forced to find our better selves. Artist Gina Osterloh presents us with Obliterate. A body wrapped in foil – female in form, a gesture of strength. She prepares a second piece: a shadow body, slightly turned towards its mirror. The real versus the silhouette, a splitting of the real, but into whole parts. The information of materiality versus the code. In our Silverlens gallery, we must straddle these two, our onsite gallery and our digital doppelganger. Taking form from both, the gallery is the system by which visual art is announced, experienced, consumed. More than a platform, it is a machine of hard processes and soft energies, kept breathing by our artists, our team, our collectors, and our audiences.

    Our Covid19-breaker show, Anticipating the Day, is only online. Instead of installing the works in the gallery, they are installed in the artists’ studios, in-situ. Showing a more raw, but also more alive and organic part of the process. It is a melding of what we showed during lockdown through our social media #athomewith series, and works that the artists have been making while on lockdown. Artist Gregory Halili reminded us that art goes on, and we could not agree more, as almost all our artists are participating in Anticipating the Day.

    A good sign. This is a way things will be for us. A heavily digital presence with more information, more access. Impersonal at first because experienced through a screen. But haven’t our most intimate moments in the last few months been experienced through a screen? The physical space has moved into the mindspace. The most important is to be connected. All of us.

    From the various texts that the artists sent in, and at the risk of oversimplification, here are ideas from each that can help pull Anticipating the Day together. The title is taken from artist Nicole Coson’s description of what lockdown is for her.

    The hopes are a new civility, flourishing respect, and deeper appreciation for what we all do in our daily lives, at work and at home. Now, do we really want to go back to the way things were done before? It is reasonable to keep going at certain things. But on the whole, we rebalance.

    Welcome back to Silverlens!

    - Isa Lorenzo

Out of necessity, we are forced to find our better selves. Artist Gina Osterloh presents us with Obliterate. A body wrapped in foil – female in form, a gesture of strength. She prepares a second piece: a shadow body, slightly turned towards its mirror. The real versus the silhouette, a splitting of the real, but into whole parts. The information of materiality versus the code. In our Silverlens gallery, we must straddle these two, our onsite gallery and our digital doppelganger. Taking form from both, the gallery is the system by which visual art is announced, experienced, consumed. More than a platform, it is a machine of hard processes and soft energies, kept breathing by our artists, our team, our collectors, and our audiences.

Our Covid19-breaker show, Anticipating the Day, is only online. Instead of installing the works in the gallery, they are installed in the artists’ studios, in-situ. Showing a more raw, but also more alive and organic part of the process. It is a melding of what we showed during lockdown through our social media #athomewith series, and works that the artists have been making while on lockdown. Artist Gregory Halili reminded us that art goes on, and we could not agree more, as almost all our artists are participating in Anticipating the Day.

A good sign. This is a way things will be for us. A heavily digital presence with more information, more access. Impersonal at first because experienced through a screen. But haven’t our most intimate moments in the last few months been experienced through a screen? The physical space has moved into the mindspace. The most important is to be connected. All of us.

From the various texts that the artists sent in, and at the risk of oversimplification, here are ideas from each that can help pull Anticipating the Day together. The title is taken from artist Nicole Coson’s description of what lockdown is for her.

The hopes are a new civility, flourishing respect, and deeper appreciation for what we all do in our daily lives, at work and at home. Now, do we really want to go back to the way things were done before? It is reasonable to keep going at certain things. But on the whole, we rebalance.

Welcome back to Silverlens!

- Isa Lorenzo

Works

Martha Atienza
Tarong 11°16’12.0”N 123°45’23.4”E 2019-08-06 Tue 2:27 PM PST 1.50 meters High Tide
2019
574
2
single channel HD video
(00:44:03 min. loop), no sound
0
0.00
PHP
0
Edition of 6
Details
Frank Callaghan
Flux 01
2020
514
2
Duratrans, lightbox
40h x 60w in • 101.60h x 152.40w cm
0
0.00
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0
Edition 1 of 5
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Frank Callaghan
Flux 02
2020
516
2
Duratrans, lightbox
40h x 60w in • 101.60h x 152.40w cm
0
0.00
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0
Edition 1 of 5
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Frank Callaghan
Flux 03
2020
517
2
Duratrans, lightbox
40h x 60w in • 101.60h x 152.40w cm
0
0.00
PHP
0
Edition 1 of 5
Details
Frank Callaghan
Flux 04
2020
518
2
Duratrans, lightbox
40h x 60w in • 101.60h x 152.40w cm
0
0.00
PHP
0
Edition 1 of 5
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Frank Callaghan
Flux 05
2020
519
2
Duratrans, lightbox
40h x 60w in • 101.60h x 152.40w cm
-1
0.00
PHP
0
Edition 1 of 5
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James Clar
The New Normal (Red/Green, 6x6)
2020
564
2
LED matrix
5.91h x 5.91w x 1.97d in • 15h x 15w x 5d cm
1
0.00
PHP
0
Unique Series
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Chati Coronel
Prometheus
2020
541
2
acrylic on canvas
60h x 84w in • 152.40h x 213.36w cm
1
0.00
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0
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Nicole Coson
Untitled
2020
554
2
monotype on canvas
62.99h x 51.18w in • 160h x 130w cm
1
0.00
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0
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Corinne de San Jose
I’m Going Out Of My Way
2020
565
2
single channel video
(00:10:00 min. loop), no sound
-1
0.00
PHP
0
Edition 1 of 5
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Patricia Perez Eustaquio
Endless Summer
2020
555
2
woven tapestry, silk, cotton, fiberfill, foam, wood, bamboo, wire, plaster of paris
63.39h x 41.34w x 25.20d in • 161h x 105w x 64d cm
1
0.00
PHP
0
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Dina Gadia
Forming 3
2019
544
2
acrylic on canvas
38.19h x 32.13w in • 97h x 81.60w cm
1
0.00
PHP
0
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Dina Gadia
Tides of the Earth
2020
545
2
acrylic and collage on paper
11.69h x 16.53w in • 29.69h x 41.99w cm
0
0.00
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0
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Dina Gadia
Much Too Full
2020
543
2
acrylic on canvas
20h x 18w in • 50.80h x 45.72w cm
0
0.00
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0
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Gregory Halili
Deep End
2020
549
2
oil on shell
2.50h x 3w in • 6.35h x 7.62w cm
0
0.00
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0
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Gregory Halili
Untitled
2020
550
2
oil and volcanic ash on mother of pearl
9.5 dia. in • 24.13 dia. cm
0
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0
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Gregory Halili
Untitled
2020
551
2
oil on gold-lip mother of pearl
9.5 dia. in • 24.13 dia. cm
3
0.00
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0
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Mit Jai Inn
Untitled# SL181WV10
2019
556
2
oil on canvas
39.37h x 39.37w in • 100h x 100w cm
0
0.00
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0
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Mit Jai Inn
Untitled# SL176 WV5
2019
557
2
oil on canvas
70.87h x 45.28w in • 180h x 115w cm
0
0.00
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0
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Mit Jai Inn
AT 14
2020
558
2
oil on canvas
59.06h x 39.37w in • 150h x 100w cm
0
0.00
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0
Details
Pow Martinez
street hookers
2020
559
2
oil on canvas
35h x 30w in • 88.90h x 76.20w cm
1
0.00
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0
Details
Pow Martinez
we come in peace
2017
560
2
oil on canvas
72h x 84w in • 182.88h x 213.36w cm
0
0.00
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0
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Wawi Navarroza
All The Luck You Need (XXXX)
2020
542
2
archival pigment print on Hahnemühle, cold-mounted on acid- free aluminum
32h x 48w in • 81.28h x 121.92w cm
0
0.00
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0
Edition 1 of 5
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Elaine Navas
Light As The Water
2020
540
2
oil on canvas
8.66h x 11.57w in • 22h x 29.40w cm
1
0.00
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0
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Renato Orara
Untitled, 2020-01 (from the ongoing series Ten Thousand Things that Breathe)
2020
553
2
ballpoint ink on paper
11h x 10.5w in • 27.94h x 26.67w cm
0
0.00
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0
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Gina Osterloh
Obliterate
2019
546
2
archival pigment print
20h x 14.50w in • 50.80h x 36.83w cm
0
0.00
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0
Edition of 3
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Gina Osterloh
Pressure Pleasure
2019
547
2
steel plate with welded text
14h x 11w x 2.50d in • 35.56h x 27.94w x 6.35d cm
0
0.00
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0
Details
Gina Osterloh
Pleasure Pressure
2019
548
2
steel plate with welded text
14h x 11w x 2.50d in • 35.56h x 27.94w x 6.35d cm
1
0.00
PHP
0
Details
Bernardo Pacquing
1-Beta Chain 1
2020
566
2
oil on cut cardboards
11.81h x 8.27w in • 30h x 21w cm
1
0.00
PHP
0
Details
Bernardo Pacquing
1-Beta Chain 4
2020
567
2
oil on cut cardboards
11.81h x 8.27w in • 30h x 21w cm
1
0.00
PHP
0
Details
Bernardo Pacquing
1-Beta Chain 5
2020
568
2
oil on cut cardboards
11.81h x 8.27w in • 30h x 21w cm
1
0.00
PHP
0
Details
Bernardo Pacquing
1-Beta Chain 7
2020
569
2
oil on cut cardboards
11.81h x 8.27w in • 30h x 21w cm
1
0.00
PHP
0
Details
Bernardo Pacquing
1-Beta Chain 8
2020
570
2
oil on cut cardboards
11.81h x 8.27w in • 30h x 21w cm
1
0.00
PHP
0
Details
Bernardo Pacquing
1-Beta Chain 10
2020
571
2
oil on cut cardboards
11.81h x 8.27w in • 30h x 21w cm
1
0.00
PHP
0
Details
Bernardo Pacquing
1-Beta Chain 12
2020
572
2
oil on cut cardboards
11.81h x 8.27w in • 30h x 21w cm
1
0.00
PHP
0
Details
Bernardo Pacquing
1-Beta Chain 13
2020
573
2
oil on cut cardboards
11.81h x 8.27w in • 30h x 21w cm
1
0.00
PHP
0
Details
Gary-Ross Pastrana
Untitled (Lockdown Set)
2020
561
2
collage on board
10h x 8w in • 25.40h x 20.32w cm (individual pieces), 70h x 50w cm • 177.80h x 127w in (framed)
0
0.00
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Hanna Pettyjohn
Anastomosis (P.03)
2020
552
2
oil on canvas
48h x 24.25w in • 121.92h x 61.59w cm
1
0.00
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0
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Norberto Roldan
Historical Distancing 1
2020
562
2
assemblage with wooden medicine cabinet and found objects (wooden santo)
23.25h x 16.25w x 5.50d in • 59.05h x 41.27w x 13.97d cm
1
0.00
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0
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Norberto Roldan
Historical Distancing 2
2020
563
2
assemblage with wooden medicine cabinet with found objects
21.50h x 16.75w x 5d in • 54.61h x 42.55w x 12.70d cm
1
0.00
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0
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Ryan Villamael
Vista (series) Plate no. 2
2020
520
2
watercolor, (off-cut) acid free paper
6h x 8.50w in • 15.24h x 21.59w cm
1
0.00
PHP
0
Details
Ryan Villamael
Vista (series) Plate no. 3
2020
521
2
watercolor, (off-cut) acid free paper
12h x 11.27w in • 30.48h x 28.63w cm
1
0.00
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0
Details
Ryan Villamael
Vista (series) Plate no. 4
2020
522
2
watercolor, (off-cut) acid free paper
12h x 15w in • 30.48h x 38.10w cm
1
0.00
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0
Details
Ryan Villamael
Vista (series) Plate no. 5
2020
523
2
watercolor, (off-cut) acid free paper
2.75h x 6.50w in • 6.99h x 16.51w cm
1
0.00
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0
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Frank Callaghan
Vista (series) Plate no. 7
2020
524
2
watercolor, (off-cut) acid free paper
10h x 13.50w in • 25.40h x 34.29w cm
1
0.00
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0
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Ryan Villamael
Vista (series) Plate no. 9
2020
525
2
watercolor, (off-cut) acid free paper
9.50h x 8.50w in • 24.13h x 21.59w cm
1
0.00
PHP
0
Details
Ryan Villamael
Vista (series) Plate no. 10
2020
526
2
watercolor, (off-cut) acid free paper
7.25h x 4.20w in • 18.41h x 10.67w cm
1
0.00
PHP
0
Details
Ryan Villamael
Vista (series) Plate no. 14
2020
527
2
watercolor, (off-cut) acid free paper
5.50h x 6.75w in • 13.97h x 17.14w cm
1
0.00
PHP
0
Details
Ryan Villamael
Vista (series) Plate no. 17
2020
528
2
watercolor, (off-cut) acid free paper
5.77h x 5.30w in • 14.66h x 13.46w cm
1
0.00
PHP
0
Details
Ryan Villamael
Vista (series) Plate no. 18
2020
529
2
watercolor, (off-cut) acid free paper
4.50h x 5.75w in • 11.43h x 14.61w cm
1
0.00
PHP
0
Details
Ryan Villamael
Vista (series) Plate no. 19
2020
530
2
watercolor, (off-cut) acid free paper
2.75h x 6w in • 6.99h x 15.24w cm
1
0.00
PHP
0
Details
Eric Zamuco
Ayuda
2020
531
2
Duratrans, lightbox
15.50h x 12.50w in • 39.37h x 31.75w cm
0
0.00
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0
Edition 1 of 3
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Eric Zamuco
Hugas Kamay
2020
532
2
Duratrans, lightbox
15.50h x 12.50w in • 39.37h x 31.75w cm
0
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0
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Eric Zamuco
Laya
2020
533
2
Duratrans, lightbox
15.50h x 12.50w in • 39.37h x 31.75w cm
0
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Eric Zamuco
One Stroke
2020
534
2
Duratrans, lightbox
15.50h x 12.50w in • 39.37h x 31.75w cm
0
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0
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Eric Zamuco
Outside In
2020
535
2
Duratrans, lightbox
15.50h x 12.50w in • 39.37h x 31.75w cm
0
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0
Edition 1 of 3
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Eric Zamuco
Round and Round
2020
536
2
Duratrans, lightbox
15.50h x 12.50w in • 39.37h x 31.75w cm
0
0.00
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0
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Eric Zamuco
Side to Side
2020
537
2
Duratrans, lightbox
15.50h x 12.50w in • 39.37h x 31.75w cm
0
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0
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Eric Zamuco
Up and Down
2020
538
2
Duratrans, lightbox
15.50h x 12.50w in • 39.37h x 31.75w cm
0
0.00
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0
Edition 1 of 3
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Eric Zamuco
Anong Ginagawa Mo?
2020
539
2
single channel video
(00:03:45 min. loop), no sound
0
0.00
PHP
0
Edition 1 of 3
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Artists' Studios

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