Tracing parallel investigations into image, structure, gesture, and spatial perception, this iteration brings together a focused selection of works from Southeast Asian contemporary practice articulated across the past three decades.

The Coconut Tree Methodology is both reflection and proposition: to sense the world and grasp the changes that are shaping it right now.

The world is but colliding forces, an amalgam of signals, objects, inherited stories, and gestures. Everything we encounter bears a charge, an essence. Kawayan De Guia’s instinctual approach to art-making dialogues with those broader gravitational forces in continuous expansion and contraction.